“I used to appear in the opera here,” he says disarmingly. “As an extra. It was a normal student job.” What roles had he played? “Slaves, soldiers, priests. Everything.” The plan with “Intimissimi on Ice” was to produce a spettacolo. He certainly achieved that, I say. But what about the critics? He brushes their objectionsContinue reading “Note. 10 May 2015.”