Post. 23 November 2018.

If personal collectors increasingly outbid museums and galleries, so what (asks the film)? Public viewing facilities are cemeteries anyway: most of their aesthetic citizenry is buried underground. And aren’t personal collectors keeping art’s value high, where it should be? Or — back to Oscar — do we just mean art’s price?

The Price of Everything, film review, the FT Weekend

Published by William Vaughan

filmmaker, artist

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