Monthly Archives: May 2014
Le Museum du Ponzi, Austin. 30 Mai 2014.
Big as they are, crowds at New York’s marquee art museums have been bigger. For example, the Museum of Modern Art, the city’s largest private museum, last celebrated record attendance back in 2009–10. Now it’s in a position to surpass those 3.22 million visitors—by a whisker. For the 12 months ending on June 30, “ifContinue reading “Le Museum du Ponzi, Austin. 30 Mai 2014.”
Script. 30 Mai 2014.
I’ve been told to think of this as my night job. To which I always ask: ‘Why do I need a night job?’ ‘Because we think there’s a film here’, they say. It’s in that spirit I’ve been slogging back through the first 40 pages to send out for coverage on Sunday. First 40 toContinue reading “Script. 30 Mai 2014.”
Thanks! 30 Mai 2014.
Thanks for the kind compliment. It’s really just ‘un journal’ and not much else I’m afraid. Am pleased that you enjoyed it.
Hombre. 30 Mai 2014.
In the spirit of Matthieu Pigasse we will screen the US anti-establishment film ‘Hombre’. Starring Paul Newman. Richard Boone is the heavy. Don’t sleep. Somewhere outside Austin, TX. 31 Mai 2014. 8:00PM.
Post x Starck. 28 Mai 2014.
Call Sunday.
Lagarde. 27 Mai 2014.
IMF’s Lagarde attacks financial sector for blocking reform By Emily Cadman The managing director of the International Monetary Fund has warned that progress to change the financial system has been “too slow” and blamed the industry for blocking reform efforts. Speaking on Tuesday at a conference on inclusive capitalism in London, Christine Lagarde said thatContinue reading “Lagarde. 27 Mai 2014.”
Valery. 27 Mai 2014.
Cognitive Constructs. 26 Mai 2014.
This is just a note to myself to research work done by Starr, Zeki and Jenkins. Pinker might be relevant too. Management
Cannes. 26 Mai 2014.
This was the view from Cannes this year. My entertainment counsel attends the Cannes Film Festival and the distribution conference each year. She’s Stanford and super bright at all of this moving picture stuff. If you make a big feature film and it doesn’t get theatrical distribution — you’ve effectively made a very expensive homeContinue reading “Cannes. 26 Mai 2014.”